See also Music journalism for reporting on classical and popular music in the media.
The Oxford Companion to Music defines music criticism as 'the intellectual activity of formulating judgments on the value and degree of excellence of individual works of music, or whole groups or genres'. In this sense it is a branch of aesthetics. With the concurrent expansion of interest in music and information media over the past century, the term has come to acquire the conventional meaning of journalistic reporting on musical performances.[1] (see music journalism).
Contents |
History
Critical references to music, (often deprecating performers or styles) can be found in early literature, including, for example, in Plato's Laws and in the writings of medieval music theorists. The English composer Charles Avison (1709–1770) published the first work on musical criticism in the English language - an Essay on Musical Expression published in 1752.[2] In it Avison criticized the music of one of his contemporaries, George Frideric Handel.
See also
Sources
- Bojan Bujic, Criticism of Music in The Oxford Companion to Music, Oxford Music Online.
Notes
Open source encyclopedia content modification information:
Authorship and Review
Open source encyclopedia content provided here is not reviewed directly by PediaView.com. Content is authored by an open community of volunteers and is not produced by or in any way affiliated with PediaView.com.
Usage Guidelines
This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article on "Music critic", which is available in its original form here:
http://en.wikipedia.org/w/index.php?title=Music_critic
All Wikipedia text is available under the terms of the GNU Free Documentation License. Wikipedia® itself is a registered trademark of the Wikimedia Foundation, Inc.
